What made that film so horrifying was its sounds, imagery, and soundtrack (by the Italian band Goblin). Argento is largely a director of style over substance, but his style is usually the star of the show in most of his films, hence why actors and plot often seem secondary. I did not find Argento's earlier 'Suspiria' to be a particularly well-acted or well-written film. 'Inferno,' while visually arresting with astounding production values and horrific blood-lettings, is a mixed bag with little coherence in the plot. Argento's 1980 feature 'Inferno' is a semi-sequel to his earlier 'Suspiria' 'Inferno' is the second in a loose film trilogy known as the 'Three Mothers,' which began with 'Suspiria,' followed by 'Inferno,' and was concluded in 2007 with the long-delayed 'The Mother of Tears.' This loose trilogy surrounds the legend of three ancient witches living in the present-day - one in Germany ('Suspiria'), another in New York City (this film), and the third finally in Rome ('The Mother of Tears'). His 'giallo' (the Italian word for 'yellow') murder-mystery films are what are most-known around the world to horror fans, because they combine the typical whodunit with elements of horror and the supernatural the best film of this genre that I've seen so far is Argento's 'Suspiria' (1977), though I have yet to see the other highly regarded picture from this time, 'Deep Red' (1975).

His films are often visually arresting, with many strange and horrific sounds, imagery, and bizarre set decorations that really succeed in creating atmospheres of pure dread, evil, and terror. It can hardly be denied that Italian horror film director Dario Argento is a true master craftsman.

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